Architecture studios are unusually literate clients. Every choice is read twice — as a work, and as a statement about the firm's own taste.
The program is deliberately restrained — each work chosen with the firm's material language in mind, quiet enough to live with through a working day, specific enough to reward a second look.
Each work placed where the timber bays can do the framing. No corridor decoration, no filler.
Painters and studio makers selected for material continuity with the firm's palette of wood, steel, and raw concrete.
A program that reads as part of the architecture — not hung on it. The studio speaks first; the works stand their ground.